Typically these tasks can be performed in a manner that is non-linear.

Conversion between different audio file formats, or between different sound quality levels.

Playback sound (often after being mixed) that can be sent to one or more outputs, such as speakers, additional processors, or a recording medium.

Apply simple or advanced effects or filters, including amplification, normalization, limiting, panning, compression, expansion, flanging, reverb, audio noise reduction, and equalization to change the audio.

Mix multiple sound sources/tracks, combine them at various volume levels and pan from channel to channel to one or more output tracks.

an S-fade out during applause after a performance), or between clips (e.g.

Edit the start time, stop time, and duration of any sound on the audio timeline.

Record audio from one or more inputs and store recordings in the computer's memory as digital audio.

The ability to import and export various audio file formats for editing.

Digital audio workstations (DAW) Įditors designed for use with music Įditors designed for use with music typically allow the user to do the following: In the 70s and 80s, the main challenges that was faced when creating this DAW was finding inexpensive storage that was fast enough to run a commercially viable DAW. The first DAW was a digital recorder developed by Soundstream in 1977. The first Digital Audio Workstation was invented in the late 70s and early 80s.

7.4 Limitations of non-destructive (real-time) editing.

7.3 Advantages of non-destructive (real-time) editing.

7 Comparison of destructive and real-time editing.

4 Editors designed for use in speech research.

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